Geetha Navale travels to France to celebrate Pietro della Valle

01/24/2006 04:25AM

Contributed by: WMC_News_Dept.

India - Veena virtuoso Geetha Navale, has been invited to France in Janury 2006 for a recording project retracing the footprints of the European music traveler, Pietro della Valle, who about 500 years first carried this magical ancient instrument back home from India. She will record with the XVIII-21 Musique des Lumières baroque ensemble led by Jean Christophe Frisch during the last week of January 2006.

The ensemble plans to do a multi city tour of India later this year. The Director Alliance Francaise de Bangalore, Eric Rousseau has been instrumental in bringing together the musicians for this interesting inter cultural musical endeavor.

About 500 years ago, a musician and traveler, Pietro della Valle (1586-1652) set off from the shores of Italy where Claudio Monteverdi was setting a new style, now called “Baroque” for a long journey to far away Goa. He stopped en route in Istanbul, Cairo, Alep, Damas, Isfahan, Ormuz, before arriving in Goa.

He observed local customs, and, obviously, their music. He learnt their languages and acquired a good knowledge of his hosts. He lived three years in India, traveling to Calicut where he was fascinated by the veena and the sacred singing, which he describes minutely in the letters he sent to a friend in Roma who subsequently published them. Incidentally he was one of the first musicians from Europe to introduce the violin into India. The violin is now an inseparable part of any classical Karnatic ensemble.

Pietro della Valle« Il Pellegrino » wrote musical works, where he tried to synthesize his discoveries on Asian music, and traditional Italian music of his time. From these travels, he moved quite ahead of his times in his era, and his music stands out like one of an innovator and a genius, very expressive and new.

The delicate veena for the first time traveled back with Pietro over the Himalayas to the shores of the Mediterranean and now this same journey is to be undertaken in these modern times by the aspiring ambassador for Karnatic music Veena Vidushi Geetha Navale who will work with the renowned arranger and conductor Jean Christophe Frisch and the XVIII-21 Musique des Lumières baroque ensemble to recreate the music of Pietro Della Valle and his times.

For the program, let us imagine Della Valle recently arrived in Goa: he speaks about Roma and his way of writing music, about his travel in Istanbul or Isfahan. In exchange, someone presents some works from the Portuguese composers in Goa, and some examples of Indian music: veena, and songs. Won over to this musical world, Pietro della Valle tries to play with his hosts. This concert will be a musical journey through Europe and Asia on the early seventeen century.

XVIII-21 Musique des Lumières, “The nomad baroque,” aims at finding other kinds of music: music that is exotic or different; music that is listened to in other ways, by other kinds of people. This pursuit sometimes involves violence, restrictions or confrontation. But it also makes way for an encounter, a fundamental, liberating passion. Beginning years ago in the Italy of Tiepolo and Caravaggio, they followed Marcello in the discovery of Jewish music; Scarlatti in the conquest of Spain; Pedrini in China, and Esteves in Brazil. In 2006, they are setting sail with Pietro della Valle, who will take them to India.

Vidushi Geetha Navale, the Karnatic veena player is known for her very ‘tasty’ sound and the ability to draw divine melodies spontaneously from the ancient strings of the veena. Her playing has gladdened the hearts of the devout in many a small temple in Malleswaram while leaving audiences dizzy in ‘over the edge’ jazz clubs in Manhattan.

Her skilful playing comes from a deep study of the traditions and idioms of Karnatic Music. She has had the privilege of learning the ancient art of playing the veena from the renowned traditional Gurus Sri. J. Anjaneyalu and Sri. R. K. Suryanarayana. She is the founder member of the cross-cultural music project ‘esperanto’ with her songwriter guitarist husband Gopal K. Navale. The sound of the veena has remained relatively unknown internationally and Vidushi Geetha Navale who has been playing the instrument for over two decades on various platforms around the world has made it her life's mission to showcase the veena to the world.

The veena or south Indian lute is known as the mother of all instruments, It is the very instrument played by the Indian goddess of Music, Saraswathi and has developed in India since pre vedic times (4000 BC) . Extremely versatile - it has a tonal range of 4 octaves and a set of rhythm strings to enable playing of a rhythmic accompaniment to the fluid melodies from its deep-set brass frets where a note can be pulled to six semitones! –

This musical encounter has been brought about by the culturally proactive Director of the Alliance Francaise de Bangalore Eric Rousseau who has brought the artistes together.

The Artists:
Cyrille Gerstenhaber and Johanne Cassar, sopranos
Sébastien Obrecht and Vincent Lièvre-Picard, tenors
Christophe Laporte, countertenor
Marco Horvat, baryton, theorb, lirone, Indian music
Geetha Navale, veena
Emmanuelle Guigues, viola and Persian kamanche
Rémi Cassaigne, theorb and Persian setar
Jean-Luc Ho, harpsichord
Pierre Rigopoulos, Oriental and Indian percussions
JC Frisch, traverso, organ, flute

[Photos: 1 - Geetha Navale, 2 - Pietro della Valle, 3 - XVIII-21].


World Music Central
http://www.worldmusiccentral.org/article.php/20060121072556728